Wednesday, March 12, 2014
By DAVID SHARP and GLENN ADAMS, The Associated Press
AUGUSTA — Gov. Paul LePage's decision to remove a mural depicting the history of the labor movement in Maine struck a raw nerve as critics lashed out in correspondence that poured in from all corners of the country, with several dozen writing letters vowing to cancel summer vacations.
The raw outpouring of emotion, with people opposing the governor's action by a margin of more than 9-to-1, flooded the governor's office with several thousand emails in less than a month.
"Your attacks on the working class of your state are just appalling to me and despite my love of the Maine coast, I will not set foot or spend one red cent there," wrote Audrey Fine Marsh of Media, Pa.
Using Maine's Freedom of Access law, The Associated Press obtained and reviewed more than 1,000 emails, faxes and letters that poured into LePage's office in the weeks after he removed the mural that was installed in 2008. Featuring Rosie the Riveter and other figures from Maine's labor history, the 36-foot mural included 11 panels, each 7 feet tall.
LePage was alerted to the mural by a "secret admirer" who claimed it was an affront. LePage determined it presented a one-sided view that bowed to organized labor.
The ensuing flap came on the heels of Wisconsin Gov. Scott Walker's introduction of a bill that stripped away the right of most public employees to collectively bargain for their benefits and working conditions, whipping up emotions of labor supporters to lash out at both governors.
All told, LePage received more than 2,500 emails, letters and faxes from March 16 through April 8. The AP reviewed 1,135 letters, emails and faxes from across the country; another 1,450 electronic faxes came from people filling out an online form on the website of an advocacy group.
According to AP's analysis, 92 percent of the individual letters opposed the governor's action; the figure becomes even more lopsided when the faxes from the advocacy group Maine's Majority are factored in.
LePage concedes the uproar and lawsuit filed over his actions created an unwanted distraction, but he insists that he did the right thing by taking the mural down. Symbolically speaking, the governor feels that the labor mural suggested the Labor Department cared only about workers, not businesses.
"That needed to happen to create a cultural change in that department and the mentality that both job creators and employees are on a level playing field," said spokeswoman Adrienne Bennett.
Many letter-writers agreed with the governor.
"Hang in there. Don't let the liberal screwballs, the media, the crybabies and the art culture dissuade you from the superb job you're doing," wrote Anthony Soychak of Rockwood, Maine.
Said Mary DiGioia, of Alpharetta, Ga.: "Congratulations to you for your courage in taking down the proletariat artwork in the state Department of Labor office."
But the vast majority opposed the governor's decision. Diana Dionne-Morang, 2008 history teacher of the year from Gardiner, Maine, wrote that the labor mural serves as "a tribute to the sacrifices and travail of our Maine ancestors that deserves recognition."
And Deon Gordon of Dallas responded with sarcasm: "If business is not represented here, why not just add a mural of a rich man lighting a cigar with a $1,000 bills?" she wrote.
The flood of electronic and snail mail overwhelmed the governor's office, which has only two constituent services workers dedicated to reviewing correspondence and forwarding it to the appropriate contact.
(Continued on page 2)